- ARRI LOOK CONVERTER HOW TO
- ARRI LOOK CONVERTER MANUAL
- ARRI LOOK CONVERTER PRO
- ARRI LOOK CONVERTER ISO
If you’re planning any slow-motion sequences, shoot at a higher frame rate such as 48fps or 60fps in order to give you enough frames to slow down in post. shooting at 24fps, set shutter speed to 1/48 if shooting at 25fps, set shutter speed to 1/50). Set your shutter speed to 2x your frame rate (i.e. To simulate the motion of film, shoot at 24fps or as close to it as possible. If you’re shooting a very bright scene, try adding an ND filter or lens to your camera to cut down the light entering the sensor – this will help prevent you from blowing out the highlights, or having a solid-white sky in outdoor shots.
ARRI LOOK CONVERTER ISO
Set your picture correctlyĪs with any camera, choose your exposure, color temperature carefully and try to set your ISO as low as possible to minimize digital noise in dark areas of your scene.
ARRI LOOK CONVERTER MANUAL
A dedicated camera app gives you manual control over the sensor and allows you to turn off lots of the automatic corrections which could otherwise ruin your shot.
ARRI LOOK CONVERTER PRO
Use a dedicated camera app such as Filmic Pro to shoot your scenes. While the iPhone sensor itself is an amazing piece of technology, in order to get the most filmic look from it, you’ll need to tweak some settings. Setting up your iPhone to get the “film look” While a smartphone will never be a replacement for a high-end cinema camera like the ARRI or RED, the raw capabilities of the sensor mean it’s possible to get cinema-quality visuals out of the camera you already have in your pocket. The Sundance Film Festival hit ‘Tangerine’, shows just what can be achieved with creative shot selection, lighting and storytelling techniques – shot entirely on the iPhone, the film has been selected for theatrical distribution and VOD worldwide. Phone cameras that used to be used to capture backyard home videos and holiday snapshots are now capable of shooting 4K video at variable frame rates and with enough dynamic range to be used for professional filmmaking. Maybe you can find a shot of a chart shot on an Alexa somewhere and exactly replicate the exposure and lighting on your GH4.The camera sensor technology inside smartphones has improved dramatically over the past few years. OK, they're both Canons but actually the colours coming from each of them were actually quite different. That's not entirely dissimilar from what you're talking about. Using this kind of method I've got my XC10 to match my 5D3 MLRAW almost perfectly, both shooting a colour calibrated version of C-Log. Apply the VLog to Alexa LUT to the GH4 shot and adjust the hue and saturation curves so that each square on the aligns with those in the Alexa shot, as seen on the vectorscope. Shoot a colour chart with a GH4 and Alexa (this is the hard part) with the same exposure. Use LutCalc to generate a VLog to Alexa LUT, to get the Panasonic gamma and gamut into the Alexa rangeģ. Shoot in 10bit V-Log to an external recorderĢ. That's quite a provocative question, but I like the way you think! Theoretically, it should be possible to get the GH4 to more closely match the Alexa. Still won't look like an ALEXA footage, but you'll be satisfied with it Use anamorphics to enhance cinematic look.
ARRI LOOK CONVERTER HOW TO
Learn how to tweak colors in premiere/resolve. Shoot in standard picture profile (unless you use external 10 bit recorder). How can I get my Škoda to ride like a Ferrari? The answer is: you can't. Am I wrong? Can anyone help me with this? If one knows how the GH4 sees a scene and how the Alexa sees the same scene, it's just one step to deduct how to translate one footage into the other, with a LUT or something. Is there a LUT that converts GH4 footage into Alexa's color scheme? It should be easy, right? I don't see why not. The dynamic range I can work around (lighting properly), but I need those cinematic colors. Is there any process I can use to make my GH4 look like an Arri Alexa? I know they are worlds apart and all, but what I really want is Alexa's colors. So I'm really aiming for the Alexa look here, not really the film look. I'm a poor man with a small camera (GH4) but big dreams and high standards.